Catch-22 The Deft Touch of Catch 22: Hellers Harmonious consent of Comedy and Tragedy Since the dawn of literature and drama, comedy and disaster have always been partitioned into separate genres. Certainly most tragedies had comedic moments, and thus far the zaniest comedies were at times serious. However, even the development of said tragicomedies unexpended the division more or less intact. Integrating a total comedy and a total tragedy into a holistic union that not only preserved both(prenominal) features, but also blended them into a new and harmonised entity remained elusive. That is, until Catch-22.
Using his unique style and structure, Joseph Heller masterfully manages to interlay wittiness and terror, comedy and tragedy, and reveals in the process the perversions of the human character and of nightclub gone mad. The first stroke of Hellers deft touch is his foundation of outrageous characters, acting outrageously. From the first chapter, we are presented with a megabucks of unbelievable ...If you want to get a full essay, ordination it on our website: Ordercustompaper.com
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