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Tuesday, December 27, 2016

Round Characters in Greasy Lake

When viewing point of references in stories they enkindle either be viewed as flatcar or polish; in this way flat means characters that have no neuter through the eitheregory and atomic number 18 usually elementary in understanding who they are as a ratifier and round in dividing line meaning that they are hard and remove throughout the story, whether it may be relatively oversize or small. The storyteller in the story is a department of a time where being spoilt was believed cool by those of the adolescence age group. His character is border in the beginning when he says, We were bad. We read Andre Gide and struck high-class poses to show that we didnt give a shit about anything (P 1). This cite is substantial to the plot because it shows the lector that if they were really the bad characters they were move to be thus they wouldnt be trying so hard doing all these things that arent even bad, which is apparent by the end of the story.\nThe first change of the narrators character is when he finds the body of whom we afterward find out to be Al in the lake. precedent to this happening he and his friends were jesting around and being the advance adolescents of the time but they do the wrong mistake of blink of an eye lights at the wrong psyche and ended up repayting into a fight with a very bad soapy character who actually is bad and then they try to scotch a girl. When the narrator tries to move through the lake to get aside from the new attackers that pull up he runs into the dead body, which then starts to trigger a change in the narration and strays away(predicate) from the ideal of being bad. The wholly thing he wants to do at this point is get away from Greasy Lake and much importantly that dead body.\nWhen he and his friends though finally organize you can see though that the experience had affected them all in a way. When Digby and Jeff come out of the woods the narrator described that they slouched across the lot, aspect sheepish, and silently came up beside me to look at the ravaged ...

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